4 edition of Mathematical models of musicalscales found in the catalog.
Mathematical models of musicalscales
Includes bibliographical references (p. 280-287) and index.
|Statement||Mark Lindley, Ronald Turner-Smith.|
|Series||Orpheus-Schriftenreihe zu Grundfragen der Musik -- Bd. 66|
|Contributions||Turner-Smith, Ronald F.|
|The Physical Object|
|Pagination||308 p. :|
|Number of Pages||308|
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The universality of musical genres and associated musicalscales is intimately linked to the physics of sound, and the specialcharacteristics of human acoustic sensitivity. In this series ofarticles, we examine the science underlying the development of theheptatonic scale, one of the most prevalent scales of the modernmusical genres, both.
The mathematical possibilities explode. One Scale Represents Many Modes. Instead of listing each of the ecclesiastical modes separately (for example), it is only necessary to list the major scale — each of the modes is represented by starting on a different degree of the scale.
For the various modes you'll find the mode name under each step. Chapter 23 of this book describes some fairly sophisticatedmathematical models of the C. Moore, Psychology of hearing .James O. Pickles, An introduction to the physiology of hearing .Christopher A. Shera, John J. Guinan, Jr. and Andrew J.
Oxenham, Revised estimatesof human cochlear tuning from otoacoustic and. KIDSANDTHEVIC Super beginner's book from publisher of Kids& AppleSeries.
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